1972年，北爱人民因不满英国政府未经审讯便予以拘留的不人道做法，决定在1月30日这天举行一场游行。英国陆军将军福特（Tim Pigott-Smith 饰）同时发表声明，定义这是一次非法游行，并将进行镇压。双方的矛盾冲突在前一夜便凸显开来，形势一触即发。北爱温和派议员库普（James Nesbitt 饰）意识到形势严峻，四处奔波告诫人们要克制，千万不可使用暴力。而另一方面英国派来一队伞兵作为先锋部队，防止北爱共和军的人伺机作乱。游行在紧张的气氛下展开，前半段的有条不紊被随之而来的混乱彻底破坏。一群激动的年轻人偏离游行路线，向驻防的的英国军队抗议并投掷石块。英国方面用高压水龙头、催泪弹和橡皮子弹还击。接着事态愈演愈烈，英军开始用真枪实弹向百姓射击，连臂膀上扎了白色手帕（以示和平）的老人也不放过。惶恐的人们四散逃窜，许多人倒在了血泊中不再起来。暴乱结束后，军方对外声称只有三人丧生，而当晚库普从医院拿来的资料显示总共13人死亡，14人受伤。

　　After some years of tension, Richard (Clive Owen) begins a sexual relationship with his sister Natalie (Saskia Reeves). Now married, the relationship proves dangerously obsessional. Their private intensity (& working class origins) contrast with the middle-class, inhibited, stuffy public scenes we see in the Richmond world into which Natalie has moved with her marriage. As the guilt and intensity of the siblings increases we seem to be heading for disaster, a forboding which increases when Natalie's husband Sinclair finds out.

　　A police officer videotapes his wife having various sexual encounters to spruce up their marriage, which soon lands both of them in hot water with a mobster whom blackmails them to videotape an encounter with a crooked politician.

　　纽约警察－汉森是个无赖的警察．他很喜欢吸毒，泡妞．他吸毒之后自己所作的事情，连杀死人他事后都不记得，别人破案他去污钱，污毒品．纽约警察调查局开紿调查他的底细，汉森的下场会如何呢？

　　一个死去父亲的灵魂通过孩子们制造的机器人重生的故事。

　　一般法庭审案电影多将剧情重点放在控辩双方于庭上的唇枪舌剑，本片则别出心裁将主题拉到原告与被告双方律师的身上，因为他们的身份是父女。吉恩．哈克曼饰演从六十年代走过来的理想主义分子，专门替弱势族群打官方，希望在并不健全的资本主义社会制度下为这些被压逼者争取权利。玛丽．伊丽莎白．马斯特兰托尼奥则是典型的九十年代实用主义者，在旧金山的顶尖律师事务所服务，正争取成为公司的合伙人。父女俩道不同不相为谋，平常不相往来，如今却因为一宗控告汽车公司故意出产危害乘客安全的车种而互相对簿公堂，于是在公私方面都构成了强烈的矛盾。导演迈克尔．艾普泰德表现称职。

　　Jude, a college literature professor, falls for one of his students. She is more interested in the empirical experience of a relationship with a man whose life is ruled by the themes of the Russian Lit. he extolls in class. Jude shows an interesting side of the stigmas associated with transgenerational relationships and how to deal with the inevitable pain of a love doomed to failure.

　　本片是《天堂的孩子》导演马吉德·马吉迪的处女作。原名《巴都客》，指的是伊朗东南部邻近巴基斯坦边界的一批走私客。这批可怜人有老有少，每天顶着烈日风沙和被军警追捕的危险，像野狗般在荒凉的沙漠上流窜。十岁出头的男孩佳发，正是其中的一位可怜人。佳发因为父亲挖井暴毙，跟妹妹佳玛在流浪途中被人口贩子诱骗。佳发被卖给走私贩阿布多拉，佳玛则卖给阿拉伯人。在佳发的小小心灵中，一直念念不忘的心愿是将佳玛找到兄妹团圆。为了达到心愿，佳发过了一段典型的苦儿流浪记生活。

　　湯姆克利任教於匹茲堡高中歷史部門,由於預算的不足,使他面臨被解僱的困境.他的一名凶橫無理的學生向他挑戰,要他坦白他的過去,瑪麗-湯姆的妻子,面臨精神崩潰的危機,湯姆在失望的情緒下,希望能達到抒解,並得到學生的認同,於是將過去充滿了性醜聞及年輕時闖的禍,包括同伴-佛萊迪溺死,瑪麗的墮胎,哥哥的自殺等,一一呈現在學生面前.....

　　时间来到2037年，核子灾难毁灭了地球，幸存者都撤退到”內世界”，一个隔绝封闭的生物圈，由电脑掌控一切生命，但是年轻貌美的茱蒂挺身反抗这种安排好的生命形态，希望能体验真实的人生，于是生物圈的系统操作者就将她放逐到充满突变生物的「外世界」。外世界有许多畸形的食人怪，他们希望茱蒂能和他们邪恶的领导繁衍后代。茱蒂是否能逃出这个荒地，还是她会成为食人怪的嘴上肉呢？

　　邪恶总在黑暗中复苏。在一个红月之夜，吸毒且患有精神病的查尔斯在床前给他的姐妹讲述了两个故事：　　故事1“朱莉亚的爱”：一个连环杀手疯狂地爱上了朱莉亚，并将她身边的男人用极度残忍的手段尽数杀光，在恐惧中度日的朱莉亚知道，只有她自己才能结束这恐怖的噩梦。　　故事2“纯洁”：一个崇拜撒旦的病态牧师在德国小城镇中无恶不作，直到他自杀为止，可邪恶的力量已经侵占了整个小镇，有些人开始自相残杀，但等待他们的，却是坠入无尽受难的活死人地狱……

　　In a dark, velvety theatre there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow.

　　埃文(西恩·威廉·斯科特饰)把家庭看得比什么都重要，任何介入他、他的妻子和刚出生的儿子之间的人都会以痛苦的方式认识到这一点。但看来当涉及到暴力倾向时，苹果掉在离树不远的地方。

　　奥吉（哈威·凯特尔 Harvey Keitel 饰）经营着一间雪茄店，年近四十的他依然过着形单影只的生活，只有常常光顾的潦倒作家本杰明（威廉·赫特 William Hurt 饰）能偶尔跟他聊聊天，解解闷。本杰明的生活同样不尽如人意。一场意外让本杰明遇见了名为拉希德（哈罗·佩里纽 Harold Perrineau Jr. 饰）的黑人男孩，一来二去之间，两人结下了深厚的友谊。　　某日，奥吉的前女友卢比（斯托卡特·詹宁 Stockard Channing 饰）来到了雪茄店，两人有十八年没有见过面了。卢比告诉奥吉，他们的女儿费莉希蒂（艾什莉·贾德 Ashley Judd 饰）不仅未婚先孕，还染上了毒品，尽管奥吉和这个素未谋面的女儿之间并没有亲情可言，但他还是驱车前去探望。

　　Issues arise related to the gentrification of a small Cornish fishing village.

　　加拿大CBC新喜剧《上班族妈妈》是一部典型的女性剧，女人是否能拥有想要的一切？对这些上班族妈妈来说，有些时候她们的确能心想事成，但有些时候……一事无成。　　该剧将深入剖析当代的「妈妈文化」，主人公Kate（Catherine Reitman）和Anne（Dani Kind） 已经做了一辈子朋友。Kate是个温和、务实的公关经理，Anne则是个严肃的心理医生。她们在一个妈妈互助小组中遇到了可爱但胆怯的Jenny（Jessalyn Wanlim）和生活混乱的Frankie（Juno Rinaldi）。四个女人很快组成闺蜜小圈子，并且建立起不靠谱的友谊。该剧将展现这四个都市妈妈最原始、最真实的一面，展现她们的爱情、事业和为母之道。她们要面对讨厌的同事、永远不知满足的孩子、产后抑郁症，甚至性欲的「第二春」，但她们选择用幽默和尊严来度过每一天。

　　This was the first of the videos that started a trend of sex education videos in the early 1990s . I guess the idea behind it was for liberated women to go into a high street store and buy it without any type of guilt or inhibition , but no doubt the main buyer market was teenage boys and dirty old men　　THE LOVERS GUIDE is groundbreaking in the fact that it publicised that the couples involved were real life partners but this is slightly dishonest , yes the main couple featured Wendy and her husband were indeed a real life couple who'd been married several years but there was some public controversy that at least one of the couples Kathryn ( The gorgeous brunette ) and Marino ( The well buffed geezer with a ponytail ) had never met one another until they appeared on set where they had unprotected sex for the camera . For a video that self righteously dedicates segments to safe sex it is rather hypocritical　　Seeing as it's for education purposes and not pornography as such there's limits as to what can be shown but as a sex education video it's not uninformative though I doubt if you'll be gasping " I never knew that "　　As a footnote the main couple featured became something of sexual problem agony aunts in the British press - Until it was revealed that Wendy's husband had a serious heart condition which put a stop to sex . I almost felt sorry for this couple who confessed that they used to make love as often as ten times a day but now couldn't make love once a day because it was too dangerous . My small amount of sympathy soon vanished when shortly afterwards the couple split up and raced off to the gutter press in order to dish the dirt on one another to the highest bidder .

　　Madonna: Truth or Dare (known as In Bed with Madonna outside North America) is a 1991 American documentary film chronicling the life of American singer-songwriter Madonna during her 1990 Blond Ambition World Tour. The film was generally well-received by critics and was successful at the box office, becoming, at that point, the highest-grossing documentary of all time with a worldwide gross of $29,012,935. It remains the eighth highest-grossing documentary of all time. It was screened out of competition at the 1991 Cannes Film Festival.

　　八座山讲述了一段友情的故事。孩子成长为男人，他们在这一过程中试图不重复父亲的命运，但他们选择的人生道路却最终把他们带回了各自的家园。彼得罗是一个城里的孩子，而布鲁诺则是一座被遗忘的山中小村的最后一个孩子。随着时光的流逝，布鲁诺依然忠于大山，而彼得罗则回来又离开。各自的经历都让他们品尝到爱与失去，带他们回忆各自的起源，看命运的画卷徐徐展开。彼得罗和布鲁诺也最终发现了永恒友谊的真谛。

　　9分钟的黑白短片