Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

　　只要对着镜子念五次他的名字，就能将之召唤而出，但你也会因此赔上性命。传奇的连环杀手又回来了，在这部续集中他重出江湖，打算在纽澳良的狂欢节中大肆虐杀。

　　血腥的修女回来了，这次是在妓院里释放的，邪恶的受害者会在夜晚生存吗？

　　The film which is based on the life on an Indian scientist Shivkar Bapuji Talpade, who is credited to have constructed India's first unmanned plane is the tale of the hardships that he went through on the journey to discover. Also the film is set in the pre-independence era of Bombay of 1895.

　　十五岁的丝考特带著妹妹露露和曾祖母，住在德州的小镇相依为命。为了照顾露露，丝考特经常翘课最后成为中辍生，一次意外事件引起儿童福利局的官员上门拜访。露露的生父被迫出面，强行带走露露。丝考特只好求助住在附近疗养院的山姆，说服他一起飞越杜鹃窝，踏上公路之旅，从德州到纽约，几乎跨越了整个美国国土，他们决定不计一切代价也要抢回露露……

　Follows ten year-old Johnny who stands out in different aspects way beyond his age. Things change when his new teacher sees his potential, believes in him and wants to open a new world to him.

　　Recently released ex con Patrick is unable to find a legitimate opportunity to get ahead and stumbles back into a life of crime when unpredictable Dolph, whom he owes for protection while in prison, pays him a visit. They begin a series of cons that involve seducing and kidnapping west LA trophy wives in order to extort money from their wealthy husbands. However, their latest victim Rebecca is not who she seems, threatening to ruin everything just when Patrick's had a change of heart and ready to call it quits.

　　一个有着无限的乐观和独特的视角的十二岁女孩，被学校的一个陌生的男孩启发，决定开始修补她破裂的家庭——不管要付出多大的代价。

　　马里奥的前妻离开了他，他的深情和挽留似乎已经没有什么用了，与此同时作为导演的他正在排演一场关于探戈的音乐剧，虽然情绪低落外加脚伤，马里奥依然专注于工作。有黑道背景的安杰罗来找马里奥，他希望投资这部作品，为的是让自己热爱舞蹈的情人伊莲娜演上主角。安杰罗是个可怕的人物，马里奥只能同意他的要求，没有想到的是，在充满情欲性感热情的探戈排演中，马里奥与伊莲娜之间爱意丛生。不知是否是安杰罗的安排，在排演的众多演员中，也似乎出现了一位类似杀手的危险人物，马里奥和伊莲娜陷入了爱情游戏的危机中。　　所有的故事情节随着音乐剧的排演慢慢展开，台前幕后已然融为一体，剧情和现实在切换间也有了意想不到的结局。

　　孩子眼中的世界在这部电影里美妙的展开，父母双亡的小玛丽（凯特·马伯里 Kate Maberly饰）来到苏格兰的亲戚家住了下来。这是个美丽而又有点神秘的庄园，尤其是秘密花园更是玛丽心中的一个大谜团。原来，玛丽的姨母曾经在自己这个花园的千秋上丧命，姨父便从此紧锁了花园大门。　　无意中发现了钥匙的玛丽打开了花园的大门。从此，花园成为了玛丽与大自然水乳交融的圣地。玛丽还带上了长期坐在轮椅上的表弟科林（海登·普劳斯 Heydon Prowse饰），他本来封闭的视野在神奇的大自然面前变得豁然开朗，而朋友迪康（安德鲁诺特 Andrew Knott饰）更是在这里和他的鸟儿朋友们聊天，秘密花园的大门就这样通向了孩子们心中的天堂……

　　玛丽安娜（Renée Faure 饰）从小立志成为一名修女，而在偌大的修道院中，没有任何一个人对待上帝能有玛丽安娜这般虔诚，因此，玛丽安娜成为了修女们眼中的异类。对于同伴们的嘲笑和奚落，玛丽安娜并不在意，侍奉着上帝的每一天都让她的内心感到无比的宁静和快乐。　　某一天，这种宁静被打破了，她听见了上帝的声音，让她帮助名叫泰莱斯（Jany Holt 饰）的女人。泰莱斯是一个妓女，犯了谋杀罪行的她为了逃避惩罚躲入了修道院中。对于玛丽安娜的照顾和关怀，泰莱斯置若罔闻，在内心里，她甚至不相信上帝的存在。终于，警察来到修道院逮捕了泰莱斯，玛丽安娜伤心欲绝。被逐出教会的她依然日日躲在教会后面的树林里祷告，终于患上不治之症。临死前，泰莱斯被带到玛丽安娜的跟前，在她憔悴虚弱的脸上，泰莱斯仿佛看见了上帝，也看见了自己的罪孽。

　　The life and career of famed American composer Stephen Foster.

　　邓巴中尉（凯文•科斯特纳 Kevin Costner 饰）在南北战争中立了大功，政府为了褒奖他，给了他任意选择驻地的特权。邓巴渴望着一种全新的生活，于是选择了遥远偏僻的西部哨所塞克威克。这里住着大量的印第安苏族人。　　一开始苏族人把他的到来有着抗拒，当邓巴主动接近和了解他们的生活，并搭救了一个从小在苏族长大的白人少女后，族人和他之间的关系开始回暖。他得到了一个印第安名字：与狼共舞。邓巴的骑术让族人惊叹，他的善良被大家称赞，和白人少女也日久生情。一次对抗外族入侵的战争中，邓巴更是被封为了苏族人的民族英雄。　　然而马背文化的没落已成必然，白人士兵来到这片土地，驱赶苏族人，捕捉“叛徒”邓巴，这片朴实的土地慢慢改变了容颜……

　　根据爱沙尼亚女人厄娜的记忆改编，讲述了大批民众被放逐到西伯利亚的故事和这批民众如何在饥饿、寒冷、冷漠、失去友情和自由中生存，当所有的希望消失殆尽，他们又如何继续活下去的故事。

　　伊凡尼（南尼·莫莱蒂 Nanni Moretti 饰）有一个和睦温暖的家庭，儿子安德烈和女儿艾琳更是让这个家庭乐也融融。而伊凡尼身为心理医生，常常接触到各式各样的心理病患者，从而更加珍惜目前的生活。然而生活的残酷随之而来，在一个看上去平常的早晨，却传来了一个令这个家庭为之崩溃的消息——儿子在潜水运动中遇上不测，不幸身亡。　　伊凡尼一家顿时陷入了一篇黑暗当中，母亲终日以泪洗脸，姐姐艾琳压抑着痛苦照顾悲伤的父母，而父亲，更是因为过度悲痛而不能继续工作。而儿子空空如也的房间，深深刺痛了每个家人的心。　　远方寄来一个女孩子的来信，来信成全了家人对儿子的追思，并令到这个家庭重新有了一丝生机。然而逝者如斯，各人内心的伤痛，只有时间能慢慢治疗。

　　

　　Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He cries out during a nightmare, waking his mother. "You're a good boy," she's told him. He prays the Stations of the Cross, and he lives out his own sorrowful mysteries.

　　很莫名其妙的剧情，拿出蹦迪神器就能救到女主，那个老人死前恢复正常还去自杀？然后男女主见死不救？胖子出来啥事都没有？那鬼捉胖子干嘛？不是还有划伤吗，为何胖子一点事都没有，还发现逃出去的地方还有信号。

　　洛杉磯是個繁華的城市，人們追求速食愛情，黛兒經歷多段失敗的感情後來到這，因為她暫時不想需要負責任的長久關係。　　某日偶然遇見舊情人查克後又跟他發展了一段曖昧關係，但這次有黛兒的好友海莉的介入.....吉兒與男友即將結婚，看似美好的訂婚其實是吉兒一廂情願，男方根本還沒準備好。貝卡為了她的洛杉磯明星夢努力。　　大都市中各種自我追尋，她們能夠找到真愛嗎？

　　A scientist discovers the bodies of three frozen genetically modified Russians buried in the Canadian North. Upon thawing them out he realizes he has unleashed a deadly threat to Western society and must stop them at all costs.