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阿卡普尔科奇遇记
745When Matt Booth sets off to meet his fiance for a foreign wedding he couldn't have imagined the dangerous world he was about to step into. Betrayed and set up, Matt finds himself on the run from the CIA and hired mercenaries, all looking for a package that he has supposedly smuggled through customs. Hunted on all sides, Matt is aided by Agent Adriana Vasquez, a femme fatale wit... -
患醒
173一个年轻的医科学生试图从一种叫做"致命家庭失眠"的绝症中治愈她的弟弟,在那里你无法入睡,直到你死去。在她寻求帮助他时,他病情的一个更险恶的原因被揭露出来。 -
新城杀手
228两个私人银行家Alistair和Jamie,他们玩弄世界,喜欢和处于社会边缘的贫民玩一种12小时的幸存者游戏。他们的下一个目标是Sean Macdonald,一个无父无母的少年,他和姐姐住在爱丁堡的郊区。她负债累累,他前途堪忧。Sean为了钱同意了玩这个游戏。很快他意识到自己陷入了地狱般的12小时...... -
逃离金边
568A stunning nightclub singer engages in a battle of wits and deception with two lovers in a bid to escape a rapidly collapsing city under siege. Super cool style and razor sharp action drive this rich, noir thriller -
电梯男孩
622一名24岁的理工科男孩,暂时先帮父亲代班电梯员工作,在一栋高级住宅大厦,每天帮住户按电梯楼层,琐碎工作让他感到相当厌世,总是敷衍了事,他的表现开始引起住户女孩长辈的注意,让狭小空间的电梯里出现欢乐与幽默,他也从中明白父亲对这份工作的坚深情感,而他也从中获得宝贵的人生体验… -
魔鬼的陷阱
589In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored. -
罗素的疯狂
316RUSSELL MADNESS tells the story of Russell, an undersized but big-hearted terrier who dreams of having a family of his own. After running away from his pet store, Russell gets taken in by The Ferraros, a family desperate to revive their grandfather's pro wrestling arena. That's when they discover their new pet pooch has incredible wrestling skills. With help from his coach, Hunk, a savvy and hilarious monkey, Russell rockets to the top of the pro wrestling world and becomes a famous sports superstar. But when a dishonest promoter double-crosses the Ferraros, Russell will face his biggest challenge and discover that the strongest tag team is family. -
人生七年1
765本部纪录片是导演迈克尔·艾普特从1964年开始拍摄的纪录片系列的第一部。迈克尔·艾普特在1964年为英国BBC电视台拍摄了记录片《7 Up》,采访来自英国不同阶层的十四个七岁的小孩子,他们有的来自孤儿院有的是上层社会的小孩。此后每隔七年,艾普特都会重新采访当年的这些孩子,倾听他们的梦想,畅谈他们的生活。人生的轮回从这十四个七岁的孩子真实生活开始,他们天真无邪的脸上写满对生活的憧憬和渴望。“七岁看老”,在这童言无忌的问与答中,人生七年又七年,震撼上演。 1964年,导演迈克尔·艾普特首拍此纪录片时,还是只是个助手。此后在他的不断努力下,积累了丰富的拍摄经验,成为知名导演。 -
神秘间谍
846《小特工蒂姆》讲述了蒂姆和家人在海边一个古老的旅馆里度假的故事。蒂姆在他新家里很难生活,直到他遇到了西蒙。西蒙1973年被冻住,现在醒来后却很难适应一切改变。作为一名曾经的间谍,西蒙需要去处理一个犯罪案子,蒂姆确定帮助西蒙一起开始这场冒险。 -
伟大的沉默
468修道院内,一切看来是那么宁静。爱玛快将宣誓晋升为修女之际,疏远已久的哥哥艾力突然到访,要求亡父遗产分一杯羹。妹妹是天使,艾力只是酗酒废青,神憎鬼厌。爱玛的静修被打扰,过去暗黑秘密亦逐一浮现。即使向上帝祷告亦难觅内心平静,只能以痛苦自残惩罚自己;以偷窃及谎言,企图掩饰难以承受的真相。决心侍奉上帝,却离神愈来愈远。丹麦导演卡特琳·勃劳克斯首作,探索圣人与罪人、完美与缺陷的共生关系。在悲剧的沉默里,救赎非来自上帝,而是自己。 -
从普拉达到纳达
621影片是简·奥斯汀的经典小说《理智与情感》的拉丁版本。故事背景为现代的洛杉矶。 姐姐诺拉·多米格兹(卡米拉·贝尔 Camilla Belle 饰)是一家法学院的学生,妹妹玛丽(阿丽夏·维加 Alexa Vega 饰)肄业在家,惟一在乎的就是购物和参加派对找乐子,她们和父亲一起在比佛利山过着极度奢华享受的生活。玛丽拒绝承认与生俱来的墨西哥血统当父亲突然过世之后,豪华的生活方式也就随之消失了。姐妹俩不仅变成了穷人,还被迫搬离现在的居所,搬到关系疏远的姑姑奥莉娅(阿德里安娜·芭拉扎 Adriana Barraza 饰)家中——位于洛杉矶东部博伊尔高地的一个以拉丁美洲人为主的社区。姐妹二人都感到非常地惊恐,她们既不会说西班牙语,也缺少应该具备的责任感,但是她们别无选择,只能慢慢地改变自己去适合一个全新的生活环境,把高档的跑车变卖掉,和普通人一样去搭乘公共汽车…… 最终诺拉和玛丽是否可完全融入到了这个一直以来都被她们拒绝接受的文化根源? -
7分钟
879The film takes place in Toulouse and tells the story of Jean, a 55 year-old policeman who discovers his son, Maxime, and his son's boyfriend hanged in a hotel room. The autopsy shows that he died from an overdose of GHB, just seven minutes after his boyfriend. During an evening organized by Maxime's friends, Jean discovers the club BISOU, where his son used to go. There, he mee... -
快乐丧尸
561两具僵尸不可思议地先后复活 ,他们决定找回失去的爱。但是他们没有意识到有一家公司正在追踪他们… Two inexplicably coherent zombies awake amidst a zombie attack and decide to take a road trip to find the one’s lost love, unaware they are being chased by the agents of a ruthless company with it’s own agenda. -
我曾侍候过英国国王
294坐监多年的扬•迪特(奥德里奇•凯瑟饰)大赦获释,他被“放逐”到捷克北部边境森林里修一条看上去永远修不完的道路。回想年轻时候,迪特感慨万千,那时的自己(伊万•巴尼弗饰)只是个年轻的饭店服务生,却立志要成为百万富豪。小个子的他精通服务之道,同时不忘追逐金钱和女人。他先后到过生活奢靡的天堂艳楼,布拉格最气派豪华的巴黎饭店。在那里,饭店领班告诉迪特,他之所以精通各项待客之道,是因为曾侍候过英国国王。 第二次世界大战前后的捷克情势变化莫测,迪特遇见了同是小个子的德国姑娘丽莎(朱丽娅•耶特斯饰)并遇到许多困难,但他依然坚定不移地朝着立下的目标努力…… -
我爱你莫里斯
537史蒂夫?拉塞尔(金?凯瑞 Jim Carrey 饰)是个付费收养来的孩子,他为了查出自己的亲生父母,做了一名警察,然而当他来到母亲的家门前,得到的却是闭门羹……幸好史蒂夫还有一个幸福的家庭,他与妻子育有一女,这对虔诚的夫妻每日祷告……然而这些都只是表象,事实上,史蒂夫是一名同性恋,他用无尽的谎言欺骗了所有人,终于一次车祸后,史蒂夫顿悟以前的生活一文不值,他公开了自己的性取向并远赴佛罗里达寻找幸福,常年欺瞒的日子造就了史蒂夫非凡的诈骗能力,不久东窗事发,史蒂夫入狱,却在狱中遇上了此生挚爱莫里斯(伊万?迈克格雷格 Ewan McGregor 饰 ),史蒂夫向莫里斯献出了自己全部的激情和勇气,这对儿从监狱中走出的恋人,留下了一段传奇故事。 本片根据史蒂夫?迈克维克所写就的真实故事改编。