年轻干练的伊丽莎白·吉尔伯特（朱莉娅·罗伯茨 Julia Roberts 饰）是《纽约时报》的一名人气作家，她经常周游世界，撰写相关的旅游文章。她的生活同样令人欣羡，丈夫史蒂芬（比利·克鲁德普 Billy Crudup 饰）帅气潇洒、气质不凡；饮食无忧、优哉安 乐。然而伊丽莎白却渐渐感到空虚和恐慌，似乎着周遭的一切都不是她真正追求的。伊丽莎白决定走出变质的婚姻，寻找自我。在漫长的离婚拉锯战后，她踏上了周游世界的旅途，在美食、祈祷和恋爱中，认真地思考人生的种种……　　本片根据伊丽莎白·吉尔伯特（Elizabeth Gilbert）的同名自传改编，著名影星布莱德?彼特担任该片制片人。

　　出身于克利夫兰的杀手弗兰克（Allen Baron 饰）在圣诞前夕接到了一份新的工作，他再次孤身一人回到曾经熟悉的城市，这次的目标是二流企业的老板。弗兰克每日跟踪对方，寻找下手机会并托付别人准备手枪。沉默寡言的弗兰克拒绝与别人沟通，在饭店偶遇的熟人让他只想逃避，但旧日相识劳拉的出现点燃了他仅存的一点热情，不过弗兰克却无法让对方接受自己。联系人迟迟没能提供手枪让弗兰克一怒之下杀了他。惊慌失措的弗兰克致电雇主，试图终止合作，电话另一头却大为光火，将弗兰克推上了不归路……　　这部电影始终贯穿画外音解说，是导演、编剧兼主演Allen Baron的新尝试。

　　影片讲述了在休斯顿的郊区，一个十几岁的女孩因母亲的监禁变得堕落，一个年迈的斗牛士努力在斗牛竞技场上站稳脚跟，这2个人形成了一种不太可能的关系纽带，并试图纠正各自的道路。

菲力浦与凯萨琳离了婚还为孩子的监护权争吵。再公判决官卢卡（希维欧·奥兰多 Silvio Orlando 饰）规劝两人复合，在私却在和老婆闹分居。伊丽莎（克劳蒂亚·洁里尼 Claudia Gerini 饰）结婚时却发现证婚神父竟然是前任罗伦佐（法拉维·因辛纳（Flavio In sinna 饰）。保罗（法比·奥德·路易吉（Fabio De Luigi 饰）在夜店结识梦妮卡（瑟西·卡索 Cecile Cassel 饰）却招来她前任男友大卫（亚历山德拉·葛斯曼 Alessandro Gassman 饰）的威胁。马克（马力克·齐狄 Malik Zidi 饰）和女友朱莉娅（克里斯廷娜·卡波唐迪（Cristiana Capotondi 饰）只能远距离恋爱。每个人都在为爱情努力向前看，却发现有的事情总有东西牵引大家回头......

　　《舞力对决》又名《街舞3D》，影片被誉为是英国首部3D电影。　　青春靓丽的舞者卡莉（妮可拉·布利 Nichola Burley 饰）的人生正值风光之时，她拥有迷人的帅哥男友杰伊，两人加入的舞蹈团体也刚打入英国街舞冠军总决赛，但杰伊在这个关键时刻却突然离开卡莉及舞团。残酷的现实不仅令卡莉心碎，也让其他团员的梦想岌岌可危。芭蕾舞学校校长海伦娜（夏洛特·兰普林 Charlotte Rampling 饰）被卡莉及其舞团的舞技和热忱打动，伸出援手。他们可以在芭蕾舞学院的豪华舞蹈教室练舞，但要跟芭蕾舞者一起训练，才能得到免费的训练场地。高贵的芭蕾、草根的街舞，这本是两个毫无瓜葛并且还有些不共戴天的舞蹈形式就这么走到了一起。当芭蕾与街舞这两种南辕北辙的舞蹈正面交锋时，冲突随即展开。卡莉的冠军梦想能否最终达成呢？

　　Moira Cole家人被残忍地杀害后努力地想要重建破碎的生活，但一切并不会那么容易，因为杀害她家人的正是与她拥有同样血脉的表弟。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

这部家庭合奏剧改编自凯伦·金斯伯里(Karen Kingsbury)的畅销小说，讲述了伊丽莎白和约翰·巴克斯特(John Baxter)以及他们的成年子女在有或没有上帝的情况下度过人生的高潮和低谷的故事。

　　约翰．赫斯顿导演的犯罪电影经典之作，他采用具有睿智洞察力的手法来探索一群珠宝大盗的悲剧命运。萨姆．杰夫饰演一名释囚，他召集了四名伙伴一齐抢劫珠宝行，准备在得手后销赃给一名律师换取百万巨款。当他们顺利劫得珠宝撤退时，却被一名看更破坏好事，导致其中一名歹徒在逃走时受伤。另一方面，出资赞助这次抢劫的赌场老板被贪污警察逼供，招出了集团成员的名字，他们乃难逃劫运。全片情节推展紧凑利落，每个角色均具鲜明个性，因而凝聚出强烈的戏剧张力。玛丽莲．梦露首次在银幕上扮演单纯而性感的情妇角色，从此展开了亮丽的星途。

马赛，一名连续作案的变态杀手在一些富人别墅里强暴女子之后，将被害人殴打致死。乾探路易·施耐德奉命展开调查。施耐德因女儿在几年前的一场车祸中丧生、妻子也终身伤残而心力交瘁，他变成了酒鬼。年轻女子茱丝蒂娜因25年前亲眼见到双亲被残酷杀害而难以克服过去的梦魇，而且她得知凶手即将被释放。她因凶手将获释一事而与施耐德走到一起。本片的导演奥利维埃·马夏尔当过警察，他曾于2004年推出《金银匠滨河路36号》（36 QUAI DES ORFEVRES，司法警察局局址）。《MR 73左轮枪》根据他1981年参与调查的一部真实案件改编，片名指的是马努兰厂（MANURHIN）1973年出厂的“巨蟒”357型左轮枪，法国宪警精锐部队都使用这种武器。

医院看护萨缪尔Samuel（吉尔·勒卢什 Gilles Lellouche 饰）和妻子娜迪亚Nadia（埃琳纳·安娜亚 Elena Anaya 饰）是一对非常恩爱的夫妻，两人正期待着娜迪亚肚子里的宝宝来到人世上，这样平凡幸福这生活就因为萨谬尔意外撞见一宗谋杀事件而起了变化…… 　　某日，一群人闯进他们的家中，将萨谬尔击昏，又绑架了娜迪亚，萨谬尔醒来后随即接到绑匪的电话，他被命令要协助劫犯行动，为了营救娜迪亚和他们的孩子，他必须满足绑匪的要求。萨缪尔Samuel原本平静的生活被卷入狂流，好市民由白变黑，随之换来警方追捕、黑道追杀，一切身不由己。然而，究竟谁是幕后黑手，环环追杀背后到底隐藏着怎样的惊天秘密和阴谋？萨谬尔又能否顺利救出自己的妻儿呢？

　　Two sisters, Becca and Rosaline, who have grown apart over the years but through tragic events learn to love and respect one another all over again. Each sister flies out to the Isle of Man to discover and repatriate the body of their mother, Mary, who they learn has been living a double life, leaving their father Richard at home in Manchester, whilst creating another world for herself.

Faith（赛琳娜·戈麦斯 Selena Gomez 饰），Brit（艾什莉·本森 Ashley Benson 饰）, Candy（瓦妮莎·哈金斯 Vanessa Hudgens 饰）, Cotty（瑞秋·科林 Rachel Korine 饰）四个漂亮的女孩是同一所大学的学生。春假来临，学校里有钱的孩子都结伴出游了，只有这四个怎么也凑不够旅费的女孩被困在百无聊赖的校园里。青春荷尔蒙的刺激和对春假旅行疯狂的向往让女孩们产生了通过抢劫获取旅费的方法。抢劫过后，她们踏上了前往佛罗里达海滩的旅程。在疯狂的海滩派对上，几个女孩度过了纸醉金迷的几天，并在假期临近结束时结识了一个自称Alien（詹姆斯·弗兰科 James Franco 饰）的古怪男子。Alien对几个漂亮的女孩表示出极大的亲密和兴趣，虽然令人不安，却也让几个女孩着迷。可是几个女孩不曾想到，遇到Al...

　　本剧灵感来自普利策奖获奖作家伊迪丝·华顿未完成的同名最终作，由全女性创意团队主导。英国喜剧演员Katherine Jakeways为剧集创作者和领头编剧，Susanna White（《安多》《荒凉山庄》《简爱（2006）》）担任领头导演，两人同Beth Willis（《援助》《神秘博士》）均为执行制片。The Forge Entertainment为制片方，所以这应该是一部英剧。　　有钱的女孩，有权力的男人。新财富，旧秘密。1870年代（19世纪70年代），一群喜爱玩乐的年轻美国女孩闯入满是紧身胸衣的伦敦社交季，掀起了一场英美文化冲突。她们对数百年传统的漠视令人耳目一新，悄然渗透着英国这片感情克制（上嘴唇僵硬/stiff upper lip）的土地。“海盗”们被家族派去寻找丈夫、获取贵族头衔，但她们的心之所向远不止于此，一句“我愿意”只是个开始。

　　故事讲述了一支特种部队的突击队，在一个荒凉的星球上执行追捕任务。而他们的对手是一个因为囚犯转移舰艇的失事，而得以幸存的一个外星囚犯。一场血腥的杀戮开始了。　　导演桑迪·克罗拉（Sandy Collora）曾经执导过影片《蝙蝠侠：死战到底》（Batman: Dead End），并屡获殊荣。　　普罗米修斯号已经退出了轨道。通信和生命支持系统也停机了。情况之严重在于：船员与囚犯都处于未知状态，一场猫捉老鼠的游戏开始了。然而在这个贫瘠的陌生星球上，谁会是猎人，谁又是猎物呢？

　　《惊情谍变》剧情，美丽单纯的银行职员哈莉（卡特莉娜·卡芙饰 Katrina Kaif）在一次偶然的聚会中邂逅了性感帅气，绅士风度的阿杰（赫里尼克·罗斯汉饰 Hrithik Roshan），两人相互被对方的迷人气质所吸引，相谈甚欢。当她认为这是天外飞来艳福，正准备期待一场 浪漫而又美好的爱情时，却万万没有想到，接下来她的人生会变得跌宕起伏，险象环生，短短几分钟过后，两人竟意外成为众人追杀的逃命鸳鸯，在接下来的日子里，她将和阿杰上天下海，环游世界，享受枪林弹雨，血雨腥风带来的浪漫与惊险……　　《惊情谍变》由二十世纪福克斯出品，剧本改编自汤姆·克鲁斯 / 卡梅隆·迪亚茨主演的《危情谍战》 ，是好莱坞进军宝莱坞的作品，欲以此打开宝莱坞的大门，电影上映后轰出了38亿卢比，海外票房亦获得非常不错的成绩，在北美上映仅一周便取得700万美元，顺利打入了北美周票房前10，成为了印度本年度票房大户之一。　　电影《惊情谍变》拍摄横跨了大半个地球，从印度的喜马偕尔邦，新德里，远到泰国普吉岛，希腊，阿布扎比和布拉格。

On January 1, 2003, in the south of Brazil, Laura, matriarch of a family of the upper middle class, found his family in their country house, for a Sunday meal. But on this day of President Lula's inauguration, nothing is going according to plan. As an echo to this political earthquake, everything seems to be deregulated in the property: the domestic revolt, the house is visibly...

TROPHY tells the story of men's obsession with power and how far they will go to claim the "PRIZE". Two rival gangs in Los Angeles and Las Vegas, led by Gino (Robert Miano) and Cole (Michael Madsen), are vying for control. Danny (Michael Masini), an LAPD undercover police detective, goes deep into gangland to infiltrate one gang to bring down both. Along the way, he becomes ent...

　　中央情报局特工乔纳森 (Steven Seagal) 作卧底来侦查一些打算偷取一枚核弹卖给东欧恐怖分子的军火商。不想军火商抓了他以前的学生，他的身份被迫暴露。在这个情况下，乔纳森没有选择的余地，他一方面要把学生拯救出来，但另一方面要及时阻止买卖核弹的勾当……

　　St. Jude Square is a neighborhood living in fear and despair. The dueling gangs of local kingpins Dash and Antuan terrorize the streets and the citizens live without a shred of hope... until mysterious stranger Ryan Hong (Cung Le) arrives in town. He begins to play one gang against the other using his unparalleled martial arts skills, and by calling on the teachings of his brilliant mentor Tiano (Jean-Claude Van Damme) to find the strength to battle back. However, just as he begins to bring the community under control, Hong is confronted by Mr. V, the town's ruthless and corrupt police chief. At first Mr. V is impressed by Hong's skill, but soon sees Hong as a threat to his regime, and the two warriors are locked in a head-to-head battle, pitting the fear and corruption of Mr. V's regime versus the new beginning Hong represents for the people of St. Jude Square.