Showtime正式预订由 Jamie Foxx制作，Jay Pharoah主演的喜剧《白闻名》（White Famous）。该剧松散改编Jamie Foxx的个人经历。该剧讲述由Jay Pharoah饰演的一个冉冉升起，有才华的黑人喜剧演员Floyd Mooney，如 何保持自己身为非裔美国人的独特性，做到在白人圈子也闻名。M egalyn Echikunwoke饰演Floyd的前女友，他们之间有一子Floyd（Lonnie Chavis饰），尽管已经分开，但她仍然是Floyd生命中的最爱; Utkarsh Ambudkar饰演Malcolm，是Floyd的经理人，他希望自己的客户能为扩大事业而不惜一切。

卡塔林（希尔妲·佩特 Hilda Péter 饰）有着一段不堪回首的过往，她选择将糟糕的往事深深的埋藏在心底。成年之后，卡塔林遇见了现在的丈夫（拉茨洛·马特雷 László Mátray 饰），两人组成了家庭，生下了两个活泼可爱的儿子。 　　某一日，丈夫在无意之中发现了卡塔林的秘密，并且得知两个孩子之一的奥班（Norbert Tankó 饰）并非自己亲生。愤怒之中，丈夫将卡塔林和孩子赶出了家门。带着孩子，流落街头无处可去的卡塔林决定踏上寻找奥班亲生父亲的旅途，她要直面曾经的恐惧和屈辱，向所有伤害过她的人施展报复。然而随着时间的推移，残酷的现实不断的打击着卡塔林的决心。

还未开播的Apple TV+原创剧集《狄金森》正式续订第二季。

标志性的剧集《未解之谜》又回来啦！这部 12 集的新剧集融合了原剧集中的标志性元素与当代身临其境般、角色发展推动的故事情节，植根于遭遇了难以想象的创伤的普通人的经历（从爱人的不明不白的失踪或可怕的死亡到令人震惊的奇异的超自然遭遇）。跟随侦探和记者的脚步，探索家庭成员提供的线索，提出理论并最终确定嫌疑人，希望观众能够掌握解开谜团的钥匙。原创纪录片创作方 Cosgrove/Meurer Productions 和《怪奇物语》的制片方 21 Laps Entertainment 合力打造。 　　前六集于 7 月 1 日首播。

When summer ends, the classroom fun begins. Start the school year with the Peanuts gang when Lucy' sSchool premieres August 12 on Apple TV+.

本剧将刻画伊丽莎白一世的早年人生，聚焦年轻的孤女伊丽莎白·都铎，在走向王位的过程中，卷入了英国宫廷权力和性别政治的斗争中。 　　亨利八世去世后，他九岁的儿子爱德华登上王位，由此引发了一场危险的权力争夺战。伊丽莎白、爱德华，以及他们的姐姐玛丽发现，在英格兰大家族和试图夺取英国掌控权的欧洲列强的这场博弈中，三人成了棋子。

圣殿骑士团是中世纪天主教的军事组织，他们在被围捕覆灭之前把大量财富隐藏了起来。他们的宝藏究竟隐藏在哪儿？他们那些刻在石头上的神秘符号到底意味着什么？

Two lesbian vampires (Marianne Morris and Anulka Dziubinska) lure people into their castle to prey on them.

　　Brandon prepares to give his last stand-up comedy show. As his stories and jokes pass, the public begins to cheer up. But at that precise moment Brandon will realize that these stories have a strong relationship with his past. More than he imagines.

在某偏远的修道院里，一个修女举止突然变得怪异可怕，传言她被恶魔附体，两个牧师应要求去调查此事，他们采取的驱魔之法却引出了更深的恐惧……

　　说唱歌手Lil Dicky主演的FXX喜剧剧集《呆福/说唱王戴夫》(Dave)宣布续订第2季，明年播出。

摇滚明星的私生子、曾在阿富汗失去了一条腿的退伍军人科莫兰·斯特莱克（Cormoran Strike），如今开了一家破破烂烂的侦探事务所。大学心理学肄业的罗宾·艾拉科特（Robin Ellacott）偶然来到这间事务所做临时雇员，一下子就喜欢上了这份工作。独腿侦探和能干的助手配合默契，开始解决一桩桩疑点重重的案件…… 　　本剧改编自J·K·罗琳以“罗伯特·加尔布雷斯”为笔名创作的侦探小说系列第三本《罪恶生涯》。

　　这是一部有趣而甜蜜的青少年电影，讲述了人与马的真挚友情和孩子们对自己将来的思索。美丽的少女莫妮卡和父母一起生活在一个专职育马的农场里，父母送给她一匹小公马“冠军”，作为在学校取得好成绩的奖励。莫妮卡和冠军一起长大，一人一马建立了深厚的友谊，因此，有一天，冠军决定告诉莫妮卡一个天大的秘密。原来马既能听懂人类的语言，也能和人沟通。

　　After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site

　　根据著名作家史蒂芬·金同名小说改编。恐怖小说家麦克（约翰·库萨克 饰）喜欢带着科学设备到闹鬼的地方探险，以收集写作素材。这次他选择了海豚酒店，不顾酒店经理（塞缪尔·杰克逊 饰）的强烈劝阻，住进了曾有多名住客自杀的1408号房间。麦克如愿以偿的经历了很多恐怖事件，彻底改变了他之前对灵异现象的看法。当他终于承受不住一波一波的恐怖攻击，准备离开1408号房间时，最恐怖的事情发生了：他用尽办法也无法离开。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake: Death Takes A Holiday (1971)

　　Luisa has a habit of bringing her dates home, irritating her son, Cesar. When Cesar invites his best friend Pablo over for a sleepover, Luisa's flirtations become too much to bear, especially as Cesar has his own feelings towards Pablo.

　　Hector, who met Truquette at the Louvre on July 14, has only one concern since then: seduce this girl. The best way to do so is by taking her to the sea. Pator, his friend, is accompanying him along with Truquette's girlfriend, Charlotte.

　　On his downfall from Heaven to Hell, Lucifer passes through the earthly paradise, a village in Mexico, where elderly Lupita and her granddaughter Maria live. Lupita's brother Emanuel pretends he's paralyzed so he can drink and gamble while the two women tend to the sheep. Lucifer senses an opportunity and plays the miraculous healer. He forces Emanuel to walk again, seduces Maria and makes Lupita doubt about her faith. He didn't bring bad luck, he only illuminated the line between good and evil, where it didn't exist before.