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害虫横行
244供职于某药品公司服务部门的库伯(克里斯?马奎特 Chris Marquette 饰)是一个吊儿郎当混日子的小青年,他上班迟到、工作马虎、对同事恶作剧,种种恶习让主管玛丽安(Deborah Geffner 饰)大为不满。在库伯被解雇的那个早晨,一场未知的灾难突然袭来。当库伯从昏迷中苏醒时,发现全身缠满白茧,四周凌乱不堪。更令他难以置信的是,身形硕大的甲虫来往穿梭,对他进行猛烈的攻击。一番搏斗之后,库伯侥幸得胜,他随后营救了玛丽安及其女儿莎拉(Brooke Nevin 饰),但玛丽安最终被昆虫虏上天空。经过莎拉和库伯德一番努力,他们又拯救了多个被困的人类,这群幸存者必须想尽办法和这群巨大的昆虫进行搏斗,以抓住生存的机会…… -
汉城大劫案
746韩国银行被一个五人骗子团伙劫走五十亿元,然而案发当场这个犯罪团伙即有一人身亡,一人被捕。金探长(千浩振 饰)负责此案,他迅速展开对其余三人的调查与追索,案情也随之渐渐浮出水面…… 刚刑满释放的蔡常赫(朴信阳 饰)策划用银行支票套取韩国银行巨款,为此他找到诈骗老手金先生(白允植 饰),金先生团伙曾经在四年前用计令两位教师倾家荡产身败名裂,不想轻易再出手的金先生被常赫的计划打动,找来老搭档诈骗犯“大嘴”和有暴力倾向的“燕子”,以及伪造票据的高手“汽油”三人,五人团伙正式组成。金先生的情妇徐任晶(廉晶雅 饰)与常赫接触日久生情,两人在金先生眼皮底下暧昧不清。常赫在案发现场身亡后,徐任晶入住常赫之弟常虎的书店中,不知其意欲何为。而此次劫案之所以失败,背后的隐情令人震惊…… -
苌山虎
980熙琏(廉晶雅饰)的儿子俊叙在首尔走失了,伤心欲绝的她带着失忆的婆婆回到老家苌山休养,希望婆婆能早点想起俊叙是怎么失踪的。有一天,熙琏在苌山附近的洞穴遇见一个衣衫褴褛的神祕女孩,或许是同情怜悯,或许是空虚寂寞,熙琏将女孩带回家,打算在找到无名女孩的父母之前照顾她。两人日渐亲近,渐渐地女孩变得好像熙琏的女儿一样,她喊起熙琏「妈妈」,还叫自己「俊希」,容貌与音声越来越像消失无踪的「俊叙」。神秘女孩到来之后,陆陆续续发生难以理解的怪事,熙琏的婆婆先是幻听,然后还被传说中栖息在苌山洞穴的妖物掳走……熙琏能够找回儿子俊叙吗?破碎的一家能在妖怪阴影之下再度团圆吗? -
梦之歌
248前往济州岛毕业旅行的前一日,春光烂漫迷茫。趴在课桌睡着的世美突然间醒来,泪流不止。她梦到最亲密的好友夏恩倒卧绿茵草地,面色安详。世美担心痛失爱犬又因脚伤住院的夏恩有何不测,于是翘课溜到医院,试图说服她一同参加校外旅行,更希望借此机会,鼓足勇气向夏恩坦白深埋心底已久的真实情感。然而,夏恩对同游一事反反覆覆,似乎藏着什么不为人知的情事,焦灼的世美却丝毫未觉,夏恩的心早已是悬在桌缘的水杯,摇摇欲坠。 以唯美飘缈的柔焦摄影为基底,游移在告白的那一天,高光细述专属于女孩之间的暧昧心事,演导双栖的赵贤哲,首度执导长片即大胆援引2014年世越号沉船事故为楔,以虚构梦境折射悲恸现实,遥致如梦似幻的绝美青春。两位清秀新星李都恩、朴慧秀,尽展动人演技,音乐鬼才吴赫操刀绝美哀戚配乐,共谱出令人低回的情感力作。 -
层间声音
448A noise is coming from the floor upstairs. Eunsu, hears this for over a month which causes uncontrollable anger to rise up. She gets eliminated again from a competition she had prepared for a long time. Eunsu decides to write her last piece with the theme of the noise between the floors and persuades her friend to help her follow and track the secret. -
水鬼
53?? ????? ????? ???? ??? ??? ??? ?? ????? ???? ? ??. ??? ??? ????? ??? ??? ????, ‘??? ???? ? ?, ?? ??’, ‘??? ??? ?? ? ?’??? ??? ??. ??? ???, ??? ?? ??? ? ‘??’? ?? ??? ???... ?? ?? ??? ‘??’??? ??? ??? ?? ??? ????? ??? ???? ???? ??? ??? ????, ??? ? ???, ??? ?? ????? ??? ??? ?? ?? ?? ??. -
鬼惑
191A chilling mystery thriller, blessed by stirring imagination and striking acting performances, especially by child actors. Among witty scares invented by the director herself, we get closer to untreatable true sins of the Catholic religion. Skilfully raised fantasies about exorcism, possession and resurrection slowly transform into breath-taking horror, which may not leave your thoughts for a long time after the screening. A devotedly faithful family mourns their elder son Han-byul. Both parents sincerely believe that it is the hand of good lord Jesus that tests them with painful suffering. The reverend advises adopting a child with special needs and sharing all the love they still have in their wounded hearts after the tragic accident. So the grieving parents embrace visually impaired charismatic Isaac, who quickly finds his place in their spacious two-storey house. The acutely sensitive boy counts that the kind family still consists of seven members, and witnesses how the crying Han-byul constantly visits them. Confused by incredible revelations, the mother starts to notice previously unseen guiding signs. Guilt confronts sanity. Grief transmits into fear. Doubts bring home obsession. New clues expose hurtful lies. Divine faith opens all gates to powerful devilish manipulations. The prolonged process of healing disperses into drowned secrets. How long can you believe something whispered by someone who is not entirely trustworthy? How far will a loving mother go to protect her adopted child who suddenly uncovers not-so-pleasant truths?