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英雄的崛起
553A journey from Suphan to the Kingdom of Ayothaya of a boy named "Kaew", he travels with hope to be enlisted in the army in the time of war, there he meets "Pim", his first love who is now engaged to a perfect man called "Chang". -
虐杀陷阱
504When Lauren disappears from a night club and doesn’t return home the next morning, her mother, Michelle, to avoid publicity and a scandal, decides to search for her missing daughter. Michelle soon discovers that her daughter might have been part of a pornographic snuff ring that lures young girls to make their money. Fearing for Lauren’s safety, Michelle hires the help of a store employee to find her daughter. But finding Lauren soon becomes an impossible task as no one really cares about missing girls or a mother’s lover for her baby. In order to find her daughter, Michelle must enter into the darkest and most shocking areas of the industry. Michelle will go anywhere and do anything to find her baby girl. . . How far will you go? -
巧克力课程2
302★2013年美國亞特蘭大義大利電影節,《浪漫巧克力課程》續集。Kamal及Mattia贏得巧克力大賽之後各過各的生活,Kamal開了一間乏人問津的巧克力店鋪津並有一個獨具野心的巧克力生產計劃,Mattia決定加入。Kamal不確定是否該信任Mattia。情況很快就變得複雜,只有巧克力能解開一切誤會。 -
激情迷宫
894阿尔莫多瓦编导的第二部作品,安东尼奥·班德拉斯出演配角。影片中再次体现出了那种及时行乐以及性乱的题材,阿尔莫多瓦展开了以后贯穿他作品的“性”主题:性迷乱、性倒错、同性恋、乱伦等等。对这些不容于道德主义的主题,阿尔莫多瓦采取了一种宽容甚至是理解的暧昧态度,赋予这些"不堪入目"的行为一种扭曲的美感和同情的解释。正是这种暧昧适时的传达出从政治和历史重压下释放不久的西班牙民众的迷惑与混乱。 对于班德拉斯来讲,如果说因为腿伤没实现当足球运动员的梦还有些无奈的话,那么他盲打误撞成了电影明星显然是幸运的。而后由西班牙著名导演阿莫多瓦培养出来了一名优秀演员。从1982年到1990年,他在六部阿莫多瓦的影片中担任了主角。从1982年的《情感迷宫》,1983年的《高跟鞋》,1988年的《濒临崩溃的女人》直到1990年的《绑上绑下》,班德拉斯已经成为阿莫多瓦影片中不可缺少的一种人性的符号。 他拥有一种“魔性”。但不同于亚兰德伦的魔性有着纯美的外形作基底,班德拉斯的魔性是质朴的、浑厚的、带着催眠般的性感。他的眼神,萃聚了西班牙最浓郁的风情,解释着一种优秀的西班牙气质,令人次联想到基因的神奇。 安东尼为我们提供了“拉丁情人”的模板。一般拉丁情人是油滑放浪的模样,安东尼欧却深情而真挚;他的浪漫情调浑厚、绵长,带着成就爱情的力量。像汤姆克鲁斯和布莱德比特这类的"美式金童"就稍微欠缺了些这样的深度,诠释角色的手法永远都比较儿童化、比较肤浅;而安东尼欧却能令人生阅历丰富的中老年人都为之动容,应该就是因为他身上那挥之不去的“制约之美”所造成的吧 -
纽约的女人们
870A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves. -
徘徊
957HOVER takes place in the near future, where environmental strain has caused food shortages around the world. Technology provides a narrow path forward, with agricultural drones maximizing the yield from what land remains. Two compassionate care providers, Claudia (Coleman) and her mentor John (Craig muMs Grant), work to assist sick farmland inhabitants in ending their lives. After John dies under mysterious circumstances, a group of locals helps Claudia to uncover a deadly connection between the health of her clients and the technology they are using.